Burtaniya ta tona asirin da aka boye a "The gamuwa"

Gidan Hoto na Ƙasa a London ya buɗe baje kolinsa na farko na zane-zane na wasu fitattun masanan Renaissance da Baroque.

Hotunan sun haɗa da wasu ɓoyayyun dukiyar Biritaniya mafi kyawun tarin masu zaman kansu da na jama'a, tushen arziƙi na tsoffin zane-zane na Turai.

Hotunan masu fasaha irin su Leonardo da Vinci, Dürer da Holbein an zaɓi su ba wai kawai don abubuwan ban mamaki ba ne na ƙwarewar mai fasaha da bayyanar sitter ba, amma saboda suna ɗaukar ɗan lokaci na haɗin gwiwa, gamuwa tsakanin mai zane da zama.

Wasu daga cikin mutanen da aka zana a wadannan hotunan za a iya gane su, kamar limamin sarki ko magatakardar sarki, amma da yawa daga kan titi ne – ma’aikaciyar jinya, mai sana’ar takalmi, da abokan mai zane da kuma daliban da ke dakin karatu – wadanda ba a cika samun kwatankwacinsu ba. kama a cikin zane-zane a wannan lokacin.

Tsohuwa sanye da riga da hula, Yakubu Jordaens

Manyan abubuwan sun haɗa da zane-zane 15 da Sarauniya ta bayar daga tarin Sarauta. Daga cikin waɗannan takwas akwai na Hans Holbein ƙaramin. Akwai rukunin zane da aka samar a cikin ɗakin karatu na Carracci daga Chatsworth; da kuma zanen shiri na Gidan Tarihi na Biritaniya na Albrecht Dürer don hoton Henry Parker da ya ɓace, Lord Morley, wanda Sarki Henry na VIII ya aika zuwa Nuremberg a matsayin jakada.

Dokta Nicholas Cullinan, Daraktan, National Hoto Gallery, London, ya ce: “Yayin da Tarin mu ya ƙunshi tawada mai ban sha'awa da ban mamaki na Holbein da zane na Henry VII da Henry VIII daga 1536-7, abin mamaki, Gidan Hoto na Ƙasa bai taɓa yin shiri ba. nunin nunin da aka sadaukar don aikin zanen hoto a lokacin Renaissance na Turai. Yayin da ba a san ainihin ma'abota zama ba, ana kiyaye haduwarsu da mawaƙin a cikin zane-zane waɗanda ke nuna fa'idar lokacin ƙirƙirar da ke tsakiyar manyan hotuna masu yawa. Wasu daga cikin zanen watakila ba a yi niyya ba don barin ɗakin studio na masu fasaha, amma ana iya cewa suna daga cikin mafi ɗaukar hankali da ra'ayi mai ƙarfi na kamannin mutum a cikin tarihin fasaha. "

Mutumin da gashi mai tsayin kafada, ɗan wasan Venetian da ba a san shi ba

Dokta Tarnya Cooper, Daraktan Kula da Curatorial, National Portrait Gallery, London, kuma mai kula da The Encounter: Zane daga Leonardo zuwa Rembrandt, ya ce: "Sashe na roko na kallon zane-zane shi ne cewa suna magana da mu kai tsaye ba tare da yin magana ba. kayan ado ko goge; ya bambanta da hoton da aka zana, tsarin zane yana bayyana ba a tsaka-tsaki ba ta hanyar fasaha na fasaha. Wasu daga cikin zane-zanen hoton da ke cikin wannan baje kolin an aiwatar da su cikin sauri, suna ɗaukar wani ɗan lokaci kaɗan, yayin da wasu kuma an ƙara gamawa da sarrafa su, duk da haka suna da alama suna da gaskiya da riƙon amana da ke ɗauke da alaƙa mai ƙarfi tsakanin mai zane da sitter.”

Andrew Marr, mai watsa shirye-shirye, marubuci, kuma mai fasaha, ya ce: “Akwai wani abu mai ban sha’awa game da ganin yadda yatsu da ƙyalli na ƙwararrun masu fasaha suka yi, daga Leonardo Da Vinci zuwa Rembrandt. Akwai wani shafi na zane-zane na Rembrandt, wanda aka yi a fili da sauri, yana nuna fuskokin maza, gashin gashi da mace mai shayarwa, wanda ya kawo ku cikin dakinsa a 1636, kamar dai a nan da yanzu. Akwai zane-zane na Holbein na matasa masu hankali daga kotun Henry VIII don haka sabo da haka za ku iya shiga cikin su a cikin rabin sanduna na London gobe; wannan nune-nunen yana kama da turawa cikin liyafa mai cike da halaye, baki da ba za a manta da su ba.” [Mail on Sunday Event Magazine, Yuli 9, 2017]

Nazarin wani mutum tsirara, Leonardo da Vinci

Ganawa: Zane daga Leonardo zuwa Rembrandt ya haɗu da zane-zane arba'in da takwas na masu fasaha waɗanda suka yi aiki a ko'ina cikin Turai, ciki har da Antonio di Puccio Pisano (Pisanello), Leonardo da Vinci, Albrecht Dürer, Francesco Salviati, Hans Holbein the Younger, Annibale Carracci, Gian Lorenzo Bernini, Anthony Van Dyck, da kuma Rembrandt van Rijn.

Farfesa Jeremy Wood, wanda ya ba da gudummawar wata makala a kan masu tarawa da kuma shaharar zanen hotuna a Biritaniya a cikin littafin The Encounter: Drawings from Leonardo to Rembrandt, ya ce: “Yawancin ’yan Burtaniya da suka fara tattara zane-zane na Turai sun kasance masu fasaha, kuma, har ma da ƙari. mai ban mamaki, sau da yawa masu zanen hoto. Wannan ko shakka babu ya kaifafa sha’awarsu ta siyan zane-zanen da kuma fahimtar yadda aka kama wadannan fitattun kamanni a kan takarda.”

Yaro matashi sanye da farar riga da kwalawar Jawo, Makarantar Carracci

Baje kolin ya zo ne sakamakon ci gaba da sha'awar Gidan Gallery na bincika ayyukan yin hotuna a cikin kafofin watsa labarai daban-daban a tsawon tarihi. Ta hanyar haɗa wani muhimmin rukuni na zane-zane, Ganawa: Zane-zane daga Leonardo zuwa Rembrandt ya bincika abin da nazarin zane-zane na Turai zai iya gaya mana game da aikin fasaha da tsarin zama.

Ta haɗa da nunin nau'ikan kayan aikin zane da kafofin watsa labaru da aka yi amfani da su - daga ƙarfe ƙarfe zuwa alli masu launi - da kuma yin la'akari da mutanen da aka zayyana a cikin waɗannan hotuna masu kama da juna, da yawa waɗanda ba a san su ba, nunin ya nuna yadda waɗannan masu fasaha suka ƙaura daga amfani da littattafai na zamani-littattafai azaman kayan tushe, don nazarin adadi, da fuska, daga rayuwa.

Tare da nunin zai kasance babban shiri na tattaunawa da tarurrukan binciko fasahohin masu fasaha da ayyuka tare da gudummawar da kewayo ko masana tarihi na fasaha da masu fasaha na zamani.

Jenny Saville, mai zane-zane, ta ce: “Zana ma’auni ne na yanayi. Yana da ilhami kamar tunani kuma shine farkon wurin tuntuɓar jiki a duniyar tunanin tunani, ko kuna zana kai, taswira, ƙirar kujera, gini ko iPhone. "