Fasaha da Yawon Bude Ido: Yadda hotuna ke amfani da mu

Fabrairu 13, 2021
by Mario Masciullo - eTN Italiya
3 min karanta
mai jefa kuri'a
fasaha da yawon shakatawa
Written by Mario Masciullo - eTN Italiya

Yayin da cutar ta ci gaba kuma a lokaci guda rayuwa ta fara komawa cikin matakai, Italiya ta sami kanta tana jin daɗin sake buɗe gidajen tarihi na ƙasar. Wannan yana samar da fasaha tare da damar ba da rai.

  1. Kullum akwai tattaunawa da aka kafa tsakanin aikin fasaha da mai kallo.
  2. Masu kallo sun haye kan iyakar da ke raba duniyarmu da na zanen.
  3. A karshe an bayyana yanayin batsa da shubuha na alakar da ke tsakanin hoto da kallo.

Sake buɗe gidajen tarihi a yawancin ƙasar Italiya mai dawo da fasaha da yawon shakatawa ya buɗe haske da bege a cikin dogon lokaci da tashin hankali na cutar ta COVID-19 har yanzu tana ci gaba. Wata dama ce don jin daɗin ɗabi'a da ruhaniya ga masu sha'awar zane-zane na Italiyanci da na waje waɗanda aka tilasta musu tsawon watanni don yin mafarkin sake samun wani ɓangare na 'yancin da suka rasa.

Art yana ba da baya ga rayuwa, da baje kolin Barberini Corsini National Galleries wanda Michele Di Monte ya tsara ya nuna hakan tare da kwararar baƙi da suka ja hankalin masu sha'awar "Yadda hotuna ke amfani da mu" - wani abu mai ban mamaki a cikin zane-zane na 25 na zane-zane a tsakanin karni na sha shida da goma sha takwas. .

"Baje kolin," in ji Flaminia Gennari Santori, Darakta na Gidan Tarihi, "ya zurfafa ilimin ayyukan da ke cikin tarin tare da gudummawa mai mahimmanci, yana sake inganta manufofin musanyawa da sauran gidajen tarihi da nufin ƙarfafa muhimmiyar rawar da gidajen tarihi suka taka. a matakin ƙasa da ƙasa.”

Wasu ayyuka daga tarin kayan tarihi na kasa, lamuni ne daga manyan gidajen tarihi, ciki har da National Gallery a Landan, Gidan Tarihi na Prado a Madrid, Rijksmuseum a Amsterdam, Gidan Sarauta a Warsaw, di Capodimonte a Naples, Gallery Uffizi a cikin Florence, da Savoy Gallery a Turin.

A cikin hanyar da ke bibiyar manyan zane-zane guda 25, baje kolin na nufin gano nau'ikan tattaunawar tacit da a kodayaushe aka kafa tsakanin aikin fasaha da mai kallonta yayin da aka fayyace su cikin zane-zane.

Idan ana magana da fasaha koyaushe ga masu sauraro, wannan roko ba a taɓa iyakance shi ga kallo mai sauƙi ba amma yana buƙatar ƙarin sa hannu da haɗin gwiwa.

Bayan gabatarwa mai ban sha'awa game da jigon baje kolin, tare da baje kolin na Giandomenico Tiepolo daga gidan kayan gargajiya na Prado, "Il Mondo Novo," nunin ya kasu kashi 5.

A cikin kashi na farko, "Kofa," tagogi, firam, da labule suna gayyatar mu mu ketare iyakar da ke raba duniyarmu da na zanen; kamar yadda ya faru a cikin ban sha'awa "Yarinya a cikin Frame" na Rembrandt, yana fitowa daga Gidan Sarauta a Warsaw wanda da alama yana jiran mu fiye da hoton.

Wannan gayyata ta tacit za ta fito fili a sashe na gaba, “The roko,” inda ayyuka kamar hoton “Sofonisba Anguissola” na mawaƙi Giovan Battista Caselli, “Venus, Mars da Love” na Guercino, ko kuma “La Carità” ( Sadaka ) by Bartolomeo Schedoni suna bayyana a fili ga mai kallo kuma suna buƙatar kulawar ku.

A cikin sassan tsakiya na 2, "Mai rashin hankali" da "Mai haɗakarwa," shigar mai kallo ya zama mafi dabara, zance, asiri, har ma da abin kunya. Ana kiran mai kallo don ya tsaya kan abin da yake gani, wanda a wasu lokuta ma bai kamata ya gani ba, kamar yadda Simon Vouet ya kyafta ido "Sa'a", "Judith da Holofernes" na Johann Liss na lalata, ko kuma a cikin "Buguwar Nuhu" da Andrea Sacchi.

An kammala baje kolin tare da sashin da aka keɓe don "Voyeur" wanda a ƙarshe aka bayyana yanayin batsa da shubuha na alaƙar hoto da kallo. A cikin zane-zane na "Lavinia Fontana," van der Neer ko Subleyras, ɗan wasan baƙo, ba wai kawai ya kalli abin da ake zarginsa da shi ba amma kuma ya gano ainihin kamanninsa, kasancewarsa cikakken ɗan kallo.

Ga duka coronavirus da kuma kawo fasaha, tafiye-tafiye, da rayuwa da kanta zuwa rayuwa.

#tasuwa

ABUBUWAN DA ZA KU GUDU DAGA WANNAN LABARI:

  • Wasu ayyuka daga tarin kayan tarihi na kasa, lamuni ne daga manyan gidajen tarihi, ciki har da National Gallery a Landan, Gidan Tarihi na Prado a Madrid, Rijksmuseum a Amsterdam, Gidan Sarauta a Warsaw, di Capodimonte a Naples, Gallery Uffizi a cikin Florence, da Savoy Gallery a Turin.
  • “The exhibition,” says Flaminia Gennari Santori, Director of the Museum, “deepens the knowledge of the works in the collection with a valuable contribution, once again enhancing the policy of exchanges with other museums aimed at strengthening the key role played by the galleries at [the] national and international level.
  • The reopening of museums in most of the Italian territory bringing back art and tourism has opened a glimmer of light and hope during the long and troubled period of the COVID-19 pandemic still in progress.
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Mario Masciullo - eTN Italiya

Mario tsohon soja ne a masana'antar tafiye-tafiye.
Kwarewarsa ta fadada a duk duniya tun 1960 lokacin da yake da shekaru 21 ya fara binciken Japan, Hong Kong, da Thailand.
Mario ya ga Yawon shakatawa na Duniya ya haɓaka har zuwa yau kuma ya shaida
lalata tushen / shaidar abubuwan da suka gabata na kyakkyawan adadi na ƙasashe don yarda da zamani / ci gaba.
A cikin shekaru 20 da suka gabata kwarewar tafiye-tafiyen Mario ta tattara ne a Kudu maso Gabashin Asiya kuma daga baya ya haɗa da Subasar Indiya ta Kudu.

Wani ɓangare na ƙwarewar aikin Mario ya haɗa da ayyuka da yawa a cikin Jirgin Sama
Filin ya kammala bayan shirya kik daga na Malaysia Singapore Airlines a Italiya a matsayin Malama kuma ya ci gaba har tsawon shekaru 16 a cikin matsayin Mai Ciniki / Manajan Kasuwanci Italiya don Singapore Airlines bayan raba gwamnatocin biyu a watan Oktoba 1972.

Lasisin Jarida na hukuma na Mario shine ta “Order of Journalists Rome, Italiya a cikin 1977.

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